oVocalist Tiffany Austin’s tradition-rooted yet totally modern style has established her as one of the fastest rising jazz stars in Northern California. Before earning a law degree at U.C. Berkeley, she’d performed on three continents—around her native Los Angeles while attending college, then for a year in England, and eventually for five and a half years in Tokyo. However, instead of taking the bar exam, she decided instead to devote her life to her first love—music.
Austin’s music and voice draw upon influences such as Sarah Vaughan, Ella Fitzgerald, Nina Simone, and Aretha Franklin, yet she also infuses songs with her own signature style that is precise, intelligent, and soulful. In fact, her arrangements vary from classic swing to contemporary R&B à la Robert Glasper or Jose James. Her emotional and nuanced delivery has caught the attention of eminent artists, whom she has joined onstage: vibraphonist Roy Ayers at Motion Blue (Japan), drummer Tommy Campbell at the Blue Note (NYC), and saxophonist John Handy for a three-night engagement at Dizzy’s (NYC) commemorating his 1965 Monterey Jazz Festival performance. From lawyer to Songstress Enjoy the journey Tiffany take you on telling her story.
Tiffany Austin’s tradition-rooted yet totally modern style has established her as one of the fastest rising
"Songs in Order 1, I May Be Wrong 2, I Get Along Without You 3, Sing Me A Swing Song 4, Tetca Tete 5, Skylark 6, Stardust From her Debut CD Entitled "Nothing But Soul" www.tiffanyaustinmusic.com
Born in Houston Texas, January 18th 1945.
Graduated from Jack Yates High school in 1962.
Benard was never formally trained musically. He is one of
those born naturals. Multi-Talented, multi-instrumentalist.
He plays piano,guitar,bass,drums,flugelhorn,Alto,Soprano Sax and flute.
In addition to those things, he also is an arranger and recording
engineer. Shortly after his graduation from High School, Benard, his mother and four other siblings moved to San Diego, California.
In 1965 Benard met Dizzy Gillespie in San Diego at his older sisters home.
“I played piano and sang for him. He really liked what he heard.”
He invited me to sing with his Band the night after we met. The band consisted of Michael Longo(piano)Frank Schifano(Bass)
Candy Finch(Drums) and James Moody(Saxophone)
Dizzy wanted me to join him in Los Angeles to record.
I did join him there. We recorded five tracks at Ray Charles’
studio..A single was released as a result, on Mercury Record label. One of the songs was Dizzys’ “ Con Alma.”
Shortly after we did the recording, James Moody became ill with Bells Palsy and couldn’t play his horn.
Dizzy offered me an opportunity, and that was to join his band
as featured singer, I did just that.
I was to stay with the band until James Moody recovered. Moody
did recover after five months or so. By then, I was one of the cats. So, I stayed on even after Moody’s return. It was an experience I shall never forget.
Dizzy introduced me to Lalo Schifrin, of Mission Impossible Fame, shortly after my stint with his band. Lalo and I formed a friendship. I did an album with him,entitled’Requiem,” under a ficticious name, Alexander St.Charles.
I also co-wrote a song with Lalo entitled “Like Me”, which I sang on the sound track of the Film “Dirty Harry” starring Clint Eastwood, which Lalo scored. Benard teamed up again with Lalo years later. This time to perform and record with Sarah Vaughn and an International orchestra and choir. Some of the late Pope John Paul II’s poetry was put to music. Lalo Schifrin and Francy Boland wrote the arrangements.
Benard became involved doing some background vocal session work on the hollywood scene. Some of the artists he did backup work for were artist like James taylor and countless numbers of Commercials. This performance was recorded at the Classy Gourmet in Century City, Ca.
Born on April 25, 1961, Allen grew up on gospel, R&B, and funk, but later turned to jazz after hearing an LP by the legendary saxophonist Benny Carter. He studied with drum instructor Roy Sneider and band director Robert Siemele. His first hometown gigs were with sax greats Sonny Stitt and James Moody. Allen studied at The University of Wisconsin at Green Bay from 1979 to 1981, and transferred to William Patterson College in New Jersey, where he graduated in 1983 with a Bachelor’s Degree in Jazz Studies and Performance.
Allen joined trumpeter Freddie Hubbard a year before his graduation, served as his Musical Director for eight years, and recorded several recordings with the trumpeter including Double Take and Life Flight. Allen also played with Michael Brecker, Randy Brecker, Benny Golson, Jennifer Holliday, J.J. Johnson, Rickie Lee Jones, Sammy Davis Jr., Branford Marsalis, Kenny Garrett, Lena Horne, Ruth Brown, Wayne Shorter, Herbie Hancock, Bobby Hutcherson, Mike Stern, Nellie McKay, Terence Blanchard, Phil Woods, Benny Green, Cyrus Chestnut, Joe Henderson, Billy Childs and many others. Allen’s phenomenal sideman discography also includes Jackie McLean (Dynasty), Donald Harrison (Indian Blues, Noveau Swing), Donald Byrd (A City Called Heaven), and Art Farmer (The Company I Keep). Sit back and enjoy this conversation with Carl recorded 4/5/17 for more information about Carl his website carlallen.com
Songs in Order 1, Foot Pattin "Testimonial" 2, My Brotha "The Pursuer" 3, The Message "Testimonial" 4,Holy Land "Testimonial" 5, The Pursuer "The Pursuer"
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